Rana was born in Bangladesh and is now based in London. Her work ranges from drawings, paintings and wall-based sculptures to large-scale public art projects and she is known for her understanding and use of light and colour.

Rana has created bespoke textiles in the transformed concert spaces. She collaborated with Bristol-based fabric designers and textile trend consultancy Dash & Miller to assist with translating her artwork into textiles.

Rana says: “My initial response to the brief was to look at some of the architecture, the original colours, the detail of geometry that’s used. I wanted to develop something that reflects the diversity of sound and music performed in the halls through the rhythms and patterns we use, and ensure the work responds to different forms of light.

“Visually, it was important not to be distracting for the performers on the stage as well as the audience, and we had to consider how the space will be used. I wanted the work to be bold but also offer a calm experience.”

No 1219 Textile, 2022 Wool Jacquard Woven Moquette Fabric Photo: Jamie Woodley
No 1219 Textile, 2022 Wool Jacquard Woven Moquette Fabric Photo: Jamie Woodley
No 1219 Textile, 2022 Wool Jacquard Woven Moquette Fabric Photo: Jamie Woodley
No 1226 Textile, 2022 Wool Jacquard Woven Rib Fabric & No 1218 Textile, 2022 Wool Jacquard Woven Moquette Fabric Photo: Jamie Woodley
No 1226 Textile, 2022 Wool Jacquard Woven Rib Fabric & No 1218 Textile, 2022 Wool Jacquard Woven Moquette Fabric Photo: Jamie Woodley
Portrait Rana Begum Photo: Jamie Woodley
No. 1104 Catching Colour, 2022 The Line, London. Photo: Angus Mill
No. 700 Reflectors, 2016, Kings Cross London
No. 1225 Chainlink, Desert X, 2023. Photo: Lance Gerber

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E: theresabergne@fieldartprojects.com